“Nepal, a land of stunning landscapes and rich cultural heritage, has long captured the hearts of filmmakers around the world. Its majestic mountains, vibrant cities, and serene rural settings provide an unparalleled backdrop for storytelling, making it a sought-after destination for foreign films.”

Nepal, with its stunning vistas and rich cultural tapestry, has served as the backdrop for numerous foreign films over the years. Here’s a look at 35 prominent films that utilized the enchanting beauty of Nepal in their storytelling.

1. The Last Resort (2006)

The documentary film “The Last Resort,” directed by The Lam, intimately captures the profound effects of the 2002 massacre on a sleepy Himalayan resort. Brimming with emotion, it sheds light on individual resilience amidst tragedy.

2. The Himalayas (2015)

“The Himalayas,” directed by Babu Bhandari, tells the inspiring tale of climbers who face both physical and emotional challenges while attempting to conquer some of the world’s highest peaks. The film beautifully showcases the majestic landscapes of Nepal.

3. Little Buddha (1993)

In “Little Buddha,” directed by Bernardo Bertolucci, the life of a modern-day boy intertwines with the ancient tale of Siddhartha Gautama. Filmed in both Bhutan and Nepal, the movie highlights the spiritual journey against breathtaking backdrops.

4. Seven Years in Tibet (1997)

Directed by Jean-Jacques Annaud, “Seven Years in Tibet” is a powerful drama that follows the journey of an Austrian mountaineer who befriends the Dalai Lama during a tumultuous time in Tibetan history. Shot in the artistic highlands of Nepal, it exemplifies the region’s unique culture.

5. Kedarnath (2018)

“Kedarnath,” directed by Abhishek Kapoor, combines romance with the emotional turmoil caused by the devastating floods in India. With captivating visuals from Nepal, the film immerses viewers in both love and disaster.

6. Caravan (1988)

This heartwarming film, directed by Emir Kusturica, follows a group of Tibetan nomads as they navigate their lives intertwined with Western travelers. It beautifully captures the essence of their culture amid picturesque landscapes in Nepal.

7. Doctor Strange (2016)

Marvel’s “Doctor Strange,” directed by Scott Derrickson, features stunning visuals of Nepal’s ancient temples as Doctor Strange searches for healing after a life-altering accident. The film intertwines action and spiritual exploration against a remarkable backdrop.

8. Samsara (2001)

Directed by Ron Fricke, “Samsara” is a unique visual journey that explores the cycle of life throughout various cultures, including illuminating scenes shot in Nepal that showcase its spiritual depth and natural beauty.

9. The Escape (2008)

In “The Escape,” directed by Ruairi Robinson, a man finds himself caught in a harrowing situation while navigating the treacherous terrains of Nepal. The film combines action with the awe-inspiring vistas of the region for an intense viewing experience.

10. The Man Who Knew Infinity (2015)

This biographical drama, directed by Matthew Brown, tells the story of the mathematician Srinivasa Ramanujan, utilizing captivating scenes from Nepal to showcase Ramanujan’s cultural origins and journey.

11. Highway to Dhampus (2014)

In “Highway to Dhampus,” a romantic comedy-drama directed by Rick McFarland, an American woman embarks on a journey to Nepal. Shot amidst the stunning countryside, the film captures the essence of culture and adventure.

12. Everest (2015)

This thrilling drama, directed by Baltasar Kormákur, depicts the harrowing 1996 Mount Everest disaster, showcasing Nepal’s grandeur as climbers face the ultimate challenge against nature’s brutal beauty.

13. Yes Man (2008)

In the comedy “Yes Man,” directed by Peyton Reed, Jim Carrey’s character embarks on a life-changing journey filled with adventures—including scenic detours through the vibrant landscapes of Nepal.

14. Beyond the Edge (2013)

“Beyond the Edge,” a documentary directed by Leanne Pooley, follows climbers facing immense challenges on Everest. It captures both the emotional journey and the breathtaking scenery of the Himalayas.

15. The Deadly Connection (2008)

A gripping thriller, “The Deadly Connection,” directed by V.K. Handa, tells the thrilling tale of a man’s quest for redemption while navigating the stunning landscapes of Nepal’s mountains.

16. The Golden Compass (2007)

The fantasy adventure “The Golden Compass,” directed by Chris Weitz, features breathtaking shots of Nepal that evoke a mystical aura in its grand narrative of parallel universes.

17. Himalaya (1999)

Directed by Eric Valli, “Himalaya” presents a realistic portrayal of life in a remote village, focusing on the cultural dynamics and breathtaking mountain landscapes of the region.

18. Buddha (2010)

“Buddha,” directed by Franz Kafka, narrates the life of Siddhartha Gautama, employing the rich landscapes of Nepal to enhance the film’s spiritual themes.

19. Wildlife (2019)

“Wildlife,” a documentary directed by Scott H. McPherson, invites viewers on a fascinating exploration of nature’s wonders, including stunning visuals of Nepal’s diverse wildlife and landscapes.

20. Rocky Handsome (2016)

This action-thriller, directed by Nishikant Kamat, showcases Kathmandu as an urban battleground. With high-stakes drama and pulse-pounding action, it reflects the vitality of the city.

21. Ghost Stories (2020)

The recently released horror film “Ghost Bride,” directed by Chito Rono, features scenes filmed in Nepal, intertwining modern tales with traditional folklore about ghost marriages, and is set to enthrall audiences later this year.

22. Black Narcissus (1947)

Directed by Michael Powell and Emeric Pressburger, “Black Narcissus” tells the story of nuns establishing a convent in the Himalayas. The film presents themes of temptation against stunning visuals.

23. A World Beyond (2016)

This thought-provoking sci-fi film directed by Richard Wong explores philosophical themes alongside stunning shots of Nepal’s landscapes, which act as a vital character in the narrative.

24. Gods of Egypt (2016)

Directed by Alex Proyas, this fantasy adventure features incredible scenes filmed in Nepal, blending action and myth with breathtaking locations.

25. The Silent World (1956)

A groundbreaking underwater documentary directed by Jacques Cousteau, it showcases the beauty of the oceans alongside momentous beginnings in Nepal’s natural landscapes.

26. The Amazing Race (TV Series)

This popular reality show frequently features Nepal, showcasing the country’s vibrant culture and dramatic scenery as contestants race through various challenges.

27. Kesari (2019)

The historical drama “Kesari,” directed by Anurag Singh, depicts the Battle of Saragarhi with powerful storytelling, beautifully illustrated by the rugged landscapes of Nepal.

28. Everest: A Climb for the Ages (2018)

A gripping documentary that explores the engineering and human resilience behind climbing Mount Everest, displaying stunning visuals of Nepal’s majestic peaks.

29. The Incredible Journey (2016)

A family adventure that tells the heartwarming journey of three pets, with scenes highlighting the natural beauty of Nepal’s rural landscapes.

30. Free Solo (2018)

This documentary follows climber Alex Honnold’s journey to climb El Capitan without ropes. Stunning footage of Nepal’s majestic mountains intersperses the gripping narrative.

31. The Other Side of Everest (2008)

An insightful documentary that delves into the perilous endeavors of climbers attempting Everest, portraying the awe-inspiring scenery of the mountain range.

32. The Secret of Roan Inish (1994)

This family-oriented fantasy film includes beautiful scenes shot in Nepal, exploring legendary tales and folklore amid picturesque landscapes.

33. K2: Siren of Death (1991)

A thriller directed by Lewis Teague, this film focuses on survival in the mountains, with scenes filmed in the challenging terrains of Nepal, adding to its intensity.

34. Touching the Void (2003)

In this gripping retelling directed by Kevin Macdonald, climbers face life-or-death struggles. The film features stunning sequences shot in the breathtaking spaces of the Himalayas.

35. Into Thin Air (1997)

A dramatic depiction of the 1996 Everest disaster, directed by Robert Markowitz, compellingly captures the danger and beauty of Nepal’s revered peaks.

As we celebrate the beauty and cinematic potential of Nepal, Liberty Films extends an invitation to filmmakers around the globe. With our stunning landscapes, diverse cultures, and rich narratives, Nepal is the ideal canvas for your next film project. Discover what this incredible land has to offer—a perfect backdrop to bring stories to life.

For inquiries and collaborations, please connect with us.

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Liberty Films – Nepal Fixer, a leading film production company based in Kathmandu, has been instrumental in promoting Nepal as a filming hub. With over a decade of experience, Liberty Films has facilitated numerous international projects, offering end-to-end production services that ensure a seamless filming experience in Nepal.

Why Nepal?
Nepal’s diverse landscapes make it a filmmaker’s dream. The country offers everything from the towering peaks of the Himalayas to lush jungles, serene lakes, and bustling urban centers. Its rich cultural heritage, with centuries-old temples, monasteries, and festivals, adds depth and authenticity to any production.

Moreover, Nepal’s cost-effective production environment, welcoming local communities, and growing infrastructure make it an attractive choice for filmmakers. The expertise of local production companies like Liberty Films further enhances its appeal.

14 Worth-Watching Films Shot in Nepal
Nepal’s stunning landscapes and cultural richness have been featured in numerous international films and documentaries. Here are 14 notable productions that showcase Nepal’s cinematic potential:

1. Everest (2015)
   This Hollywood blockbuster, based on the tragic 1996 Mount Everest disaster, was partially filmed in Nepal. The film features breathtaking shots of the Himalayas and highlights the challenges of high-altitude climbing.
   Watch the trailer here.
   
2. Doctor Strange (2016)
   Marvel’s Doctor Strange used Nepal as a backdrop for several key scenes, particularly those set in Kathmandu. The film’s depiction of the mystical and spiritual elements of Nepal added a unique flavor to the story.
   Watch the trailer here.
   
3. The Snow Leopard (2023)
   This award-winning documentary, filmed in the remote regions of Upper Mustang, captures the elusive snow leopard and the efforts of local communities to conserve this endangered species.
   Learn more about the film here.
   
4. Himalaya – Caravan (1999)
   A visually stunning film by French director Eric Valli, Himalaya tells the story of a Tibetan village in the Dolpo region. The film’s authentic portrayal of local life and breathtaking cinematography earned it an Academy Award nomination.
   Watch the trailer here.
   
5. Little Buddha (1993)
   Directed by Bernardo Bertolucci, this film explores the life of Siddhartha Gautama (Buddha) and features stunning scenes shot in Nepal, including the iconic Boudhanath Stupa.
   Watch the trailer here.
   
6. Into the Wild (2007)
   While primarily set in Alaska, this critically acclaimed film includes scenes shot in Nepal, showcasing the country’s natural beauty and spiritual essence.
   Watch the trailer here.
   
7. The Golden Child (1986)
   This action-comedy starring Eddie Murphy features scenes filmed in Nepal, highlighting the country’s mystical and cultural allure.
   Watch the trailer here.
   
8. The Way Back (2010)
   This epic survival drama, directed by Peter Weir, includes scenes shot in Nepal, capturing the rugged beauty of the Himalayas.
   Watch the trailer here.
   
9. Baraka (1992)
   This non-narrative documentary by Ron Fricke features mesmerizing visuals of Nepal, including its temples, landscapes, and cultural practices.
   Watch the trailer here.
   
10. Samsara (2011)
    A spiritual sequel to Baraka, this documentary showcases Nepal’s spiritual and cultural richness, with stunning visuals of monasteries and festivals.
    Watch the trailer here.
    
11. Sherpa (2015)
    This documentary highlights the lives of Sherpas in the Everest region, offering a gripping look at their challenges and contributions to mountaineering.
    Watch the trailer here.
    
12. The Summit (2017)
    A documentary about the 2008 K2 disaster, this film includes scenes shot in Nepal, showcasing the country’s mountaineering culture.
    Watch the trailer here.
    
13. Beyond the Edge (2013)
    This 3D documentary chronicles Sir Edmund Hillary and Tenzing Norgay’s historic ascent of Mount Everest, featuring stunning visuals of the Himalayas.
    Watch the trailer here.
    
14. Manaslu: The Mountain of the Soul (2022)
    A documentary that explores the beauty and challenges of climbing Mount Manaslu, the eighth-highest peak in the world.
    Watch the trailer here.
    

Liberty Films: Your Trusted Partner in Nepal
Liberty Films has been a key player in promoting Nepal as a filming destination. The company offers comprehensive services, including location scouting, permit acquisition, logistics management, and post-production support. Their team of experienced professionals ensures that international filmmakers can focus on their creative vision while Liberty Films handles the complexities of local coordination.

“Nepal has so much to offer to the global film industry,” says a spokesperson from Liberty Films. “Our goal is to make the filming process as smooth and efficient as possible, so that filmmakers can fully immerse themselves in the beauty and culture of Nepal.”

The Future of Filming in Nepal
With the growing interest in Nepal as a filming destination, the future looks promising. Liberty Films is committed to supporting this growth by providing top-notch services and promoting sustainable filming practices. The company’s efforts are not only boosting Nepal’s film industry but also contributing to the local economy and fostering cultural exchange.

For filmmakers looking to explore the possibilities of shooting in Nepal, Liberty Films – Nepal Fixer is the go-to partner.

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In a landmark decision, the Nepali film industry, previously known as ‘Kollywood’, is set to embrace a new identity as ‘Cinemandu’. This unanimous resolution was reached at a pivotal gathering of key film industry organizations hosted by the Film Development Board. Nawal Khadka, the esteemed President of the Nepal Film Producers Association, confirmed the development.

Khadka elaborated, “A trio of potential names was put forth for consideration. However, ‘Cinemandu’ emerged as the favored choice, receiving unanimous support. Additionally, we have resolved to commemorate Ashoj 15 as the National Cinema Day.” He further noted that the name ‘Cinemandu’ has garnered widespread agreement, and the board is actively arranging a subsequent meeting to formalize the decision.

The assembly witnessed the participation of delegates from the Film Producers Association, the Film Association, the Indigenous Film Association, among others, who collectively endorsed the name change.

The proposed designation ‘Cinemandu’ is now poised to be forwarded to the Ministry of Communication and Information Technology. Following this, it will be tabled at a cabinet meeting for official endorsement. With the cabinet’s approval, ‘Cinemandu’ will be enshrined as the official appellation of Nepal’s vibrant film sector.

Source: sahityapost

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During one scene in Bon Ishikawa’s upcoming documentary “Sekai de Ichiban Utsukushii Mura” (“The Most Beautiful Village in the World”), the photographer-turned-filmmaker uses a drone to capture one of Asia’s oldest traditions: the collecting of honey from caves in the steep cliffs of the Himalayas.

The local Gurung people have been practicing the custom for hundreds of years, but they were forced to discontinue it on April 25, 2015, after a magnitude-7.8 earthquake devastated Nepal. Including the honey harvest in his film, Ishikawa offers an encouraging position: Tradition survives, and it’s all thanks to community.

Early on in the documentary, however, things don’t look so bright. One especially moving scene focuses on Yam Kumari, a nurse from the mountain village of Laprak whose husband was one of the nearly 9,000 who died in the quake. Teary eyed, she confesses that the circumstances have caused her to lose her faith.

“I asked God, ‘How could you do this to me? Why did you take him from me when I have devoted my life to helping others?’ ” she tells the filmmaker. “I could not believe there was a God anymore.”

It was a sentiment felt by many of the villagers, according to Ishikawa who spent more than 18 months filming the area.

“She renounces her God, but with time, and the support and healing of the villagers, she is able to recover,” Ishikawa says. “I wanted to show the wonder of humanity in the face of such adversity, how true community and kinship heals. They share their grief, they cry together, laugh together and together they battle against adversity.”

Ishikawa, 56, was born in Oita Prefecture but moved to Tokyo at age 16 to fulfill a childhood dream of being a professional shōgi (Japanese chess) player. However, he ended up as a staff photographer for Agence France-Press before becoming a freelance photojournalist in 1990. He has documented a wide variety of events and subjects, from traditional fishing practices in Indonesia to the Great East Japan Earthquake of 2011. When he boarded a flight for Kathmandu in the aftermath of the Nepal quake he brought experience as well as a keen eye.

He took as many emergency supplies as he could carry, knowing that there would be greater need for them the farther he ventured off the beaten path. Ishikawa headed to the quake’s epicenter northwest of Kathmandu, and the crumbled mountain roads forced him to trek for a day before he could reach Laprak, which is located in Gorkha District at an elevation of 2,500 meters.

“It was clear following the Tohoku disasters that emergency relief supplies can arrive relatively quickly following a major disaster, but anywhere off the major arteries can spend days without the basics,” says Ishikawa, adding that the 2011 quake — which resulted in around 16,000 fatalities with more than 2,500 people still missing — was never far from his mind. “Despite vivid memories of Tohoku, the sight that greeted me when I arrived in Laprak beggared belief.”

He wandered among the ruins of the devastated community, many of its 600 dwellings reduced to piles of stones, dried mud and bamboo shards.

A 90-minute trek away from the devastation of Laprak, the photographer found himself in a makeshift refugee camp for the village’s residents farther up the mountain. They were living in primitive tents, with nothing more than plastic sheets to shelter them from the elements.

Even before the disaster, the people of Laprak “had nothing — no TVs, not even the smallest luxuries that we in Japan take for granted,” Ishikawa says. Anything they did have was gone, “except for their sense of community and indomitable spirit.”

In the camp, Ishikawa met Ash Bahadur, a spunky and lovable boy from an impoverished herding family who lost everything in the disaster. His younger sister was injured in the quake and had been sent to the town of Pokhara, three hours away. Ishikawa saw the community rally around Ash and his family and it affected him deeply.

“It made me quite nostalgic, reminding me of something we once had in Japan when I was a child,” he says.

Ishikawa told Ash he would tell others of what happened to Laprak and promised to return. He kept his promise and on his second trip he brought along around 3 tons of supplies, and hired local residents to help deliver them to those in need.

“I saw this as an opportunity to not only provide much-needed aid, but also provide work for those who had been most impacted by the quake,” Ishikawa says.

The villagers were paid with funds accrued by a campaign on Ishikawa’s Facebook page that were also used to purchase the relief supplies. He raised around ¥5 million through crowdfunding, which he then matched through his own savings. He later uploaded photos and videos of residents offering their thanks to those who had donated.

“The real-time immediacy of that response had a huge impact,” he says. “It made those who had contributed realize the value of what they had done and made them want to do more.”

Ishikawa wanted to do more, too.

Dissatisfied with the “one shot” impact of the news images he had supplied to magazines and newspapers, he searched for another avenue that would ensure continued support for the villages he encountered. That led to the decision to make a film.

“Filmmaking was actually the reason I started photography in the first place,” Ishikawa says. “I had been wanting to make a film since leaving AFP over 35 years ago, but one based on (actual) experience, not the ‘virtual’ experience that goes into many commercial movies. Photography seemed the best way into that.”

The film came together over seven subsequent trips to Nepal. Ishikawa documents the aftermath of the earthquake, but does so in a way that focuses on the triumph of community instead of anything resembling so-called disaster tourism. He has entered his film into several international film festivals, including the Berlinale and Toronto’s Hot Docs.

Along with the honey collecting, he was also able to shoot a harvest festival in which girls perform a trance-like dance known as the Ghatu, an ancient part of a Tibetan religion called Bon that is practiced by the Gurung. The return of the festival marked a significant milestone for the local villagers in their quest for recovery, according to Ishikawa.

“It was the first time since the quake that people had smiles on their faces, the first time that they actively sought peace with their God,” he says, adding that many families made traditional offerings of goats while young Ash’s family was only able to offer cucumbers as an oblation.

Nurse Kumari, who had previously suffered a crisis of faith, also attended the religious ceremony. She has spent each day going back and forth between the camp and Laprak, where she tends to the elderly residents who were unable to relocate or chose to stay there.

“It has been almost six years since the disasters in Tohoku and they still say that the biggest problem among refugees is loneliness,” Ishikawa says. “But in Laprak, it’s almost impossible to experience loneliness. Most people faced real hardships, but they have been able to overcome them through compassion, unity and faith. It was that kind of image that I wanted to convey through the film. I believe we can learn from it.”

Source: japantimes.co.jp

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OGDEN — Local apparel company, social media brand and event organizer And She’s Dope Too is hosting a female-focused film festival to help fund a film project in Nepal.

The “Lady Wild Film Fest” starts at 5:30 p.m. Friday, Jan. 27 at Ogden High School auditorium and features six adventure films with female leads or female characters. All proceeds from the event will fund a mountain biking trip to Nepal for And She’s Dope Too ambassadors Rachel Pohl, of Montana; Shonny Vanlandingham, of Colorado; Francesca Weikert, of Wyoming; and Julie Cornelius, of Moab.

The event will also include a silent auction and food and beverage sales to help fund the trip.

“The Lady Wild Film Festival will provide funds for the first steps of ‘Endure Nepal,’” Pohl said in a press release, “namely travel to and from Nepal and the actual filming of content … the purpose of this film is to highlight the efforts of the Ladies Mountain League, a collective of Nepalese women who also aim to empower and inspire women to pursue an outdoor life. It will specifically give a voice to the rise of a women’s mountain bike culture in Nepal.”

“Endure Nepal” will be released at the Lady Wild Film Fest in 2018.

Tickets for the 2017 film festival cost $15 and can be purchased on the And She’s Dope Too website at andshesdopetoo.com.

Source: standard.net

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It’s still dark when Brad Clement crawls out of his tent. The snow crunches beneath his feet as a cold wind chills his face. He fills a pot with snow and waits for it to melt on a small camp stove. Below him are the icy slopes he and his crew navigated the day before. Above, still wreathed in clouds, an imposing summit dares him to continue his climb.

It might be a common site for Clement, but that does not make it ordinary. As a professional mountain guide and high-altitude filmmaker who has seen the summits of Mount Everest, Mount Rainier, Mount Denali, Mount Kilimanjaro and more of the planet’s highest places, he continues to be driven not by the peak, but by the journey. However, Clement’s newest endeavor will not see him summiting any peak, but helping to preserve the world’s endangered snow leopards by working with communities in Nepal.

ROAD TO THE MOUNTAINS

Clement traces his love of the outdoors and passion for conservation to his childhood in the Midwest. Growing up in St. Louis, Clement and his family often spent time at his grandfather’s cattle ranch – a place he carries with him in all of his travels across the globe.

“Especially as a kid from Missouri, that farm seemed like the most wild, exotic place in the world,” Clement said. “It really captured my interest and my heart as far as a love for the outdoors and love for the wilderness.”

Clement enrolled as a history major and sociology minor at DePauw in 1989, choosing the institution because he wanted to attend a “quintessential small school in a beautiful pastoral setting.” At the time, he planned to use his degree and enter a traditional profession, eventually settling down and starting a family.

The summer after graduation changed everything.

Clement and a DePauw fraternity brother, Joseph M. Wilferth ’93, decided to use the summer to explore, before beginning their careers. The pair set off for Denali National Park in Alaska and spent the summer washing buses for the park service. The entire time, Clement found himself drawn to Mount Denali.

He wanted to climb it. Clement took a course on mountaineering at Mount Rainier, before challenging Mount Denali. The climb was an epiphany for Clement.

“It was terrifying, exciting and way over my head – and I loved it,” Clement said. “I wanted nothing more than to spend the rest of my life in the mountains.”

Over the next several years, Clement continued to grow his climbing skills. By the time he was 27, Clement had moved from St. Louis, where he was selling farms and ranches as a real estate broker, and relocated to Bellingham, Wash., to work as a mountain guide.

THE REAL REWARD OF A CLIMB

The summit might be the destination, but adding trophy climbs to his climbing résumé has never been the goal for Clement. Rather, the ascent and descent are just as significant as standing on the peak. He relishes in not only the physical challenge of the journey, but also the mental aspect – seeing a trip up a mountain and a safe return below as a puzzle to be solved.

“For me, climbing and the mountains have always been about absorbing all that there is in that environment,” Clement said. “Sometimes that is enjoying the pure physicality of climbing on ice versus rock, or winding through massive crevasses and snow fields to solve the puzzle of the route. It’s always an engaging journey.” As a seasoned mountaineer, Clement has charted routes countless times on personal expeditions and led others as a guide. He is one of a handful of people in the world who has summited Mount Everest from the north and south. Despite his success and that he has stayed safe from harm, Clement has been careful not to let ego or pride cloud his judgment, especially when a mistake could spell disaster.

“You always need to respect the climb and be cognizant of the risks,” Clement said. “My wife, Tonya, and I have had many friends die over the years. Sometimes we’ve been with them, and sometimes we hear about it through the community. The risks are real.”

Often the most thorough planning, research and preparation are still not enough to make the journey as planned. Clement recalled an expedition up Annapurna I. The mountain, at 26,545 feet, is the 10th highest in the world, and it carries the highest fatality rate at 41 percent. Only three Americans have reached the top – Clement is not one of them.

“We got nowhere near the top,” Clement said. “It is one of the scariest places I’ve been. The mountain conditions were not in our favor, and we had to acknowledge it was not our time.”

Despite having to call off the expedition, Clement does not consider the Annapurna I expedition, or any climbs where he and his group were forced to turn back, a failure. Rather, they have become some of his most significant moments.

“When I am climbing with friends, I have no agenda other than to enjoy the climb,” Clement said. “The mountains I summit right away are often less meaningful. When there is more of a struggle and I don’t reach the top, that is more meaningful and a stronger memory.”

FROM MOUNTAINEER TO FILMMAKER

The mountains called to Clement, and he had answered. But after years of living around the lofty peaks and daunting climbs, he faced a new challenge – how to make a life out of it. Leading expeditions was enjoyable work for Clement, but not necessarily a steady income. Ultimately, the solution came once again from his Midwest roots.

Clement’s mother was a photographer and even kept a dark room in their home. As a result, Clement grew up enjoying photography and realized that he might be able to make a living with his mother’s craft.

“I didn’t originally get into filming to film,” Clement said. “I needed something that could keep me in the mountains and provide a career path. I decided to just start calling myself a cameraman and film anything and everything in the mountains.”

In the years since he first began filming, Clement’s motivations have completely changed. His experience in navigating routes, understanding the flow of a climb and how to interact with groups gave him the expertise to succeed in filmmaking. Along the way, Clement fell in love with the technical aspects of storytelling and showing the personal journeys of individuals as they attempted to conquer some of the most beautiful and remote places in the world.

Under the label Spindrift Films, Clement has filmed around the world for Google, Outdoor Channel, Discovery Channel, PBS and several corporate entities, to name just a few, who have enlisted his talents to tell stories and grow brands.

Many of his projects have had widereaching influence. Clement was the cinematographer for the Everest Peace Project, a world-peace climb that saw people from different cultures, religions and backgrounds working together to reach the top of Mount Everest. The culmination of the project was the firstever joint ascent by Israeli and Palestinian climbers. The resulting documentary, Everest: A Climb for Peace, was narrated by actor Orlando Bloom and received widespread acclaim, including praise from the Dalai Lama.

This project was especially significant for Clement because during it he met his wife, Tonya Riggs, also an accomplished climber and a Boulder, Colo. resident who works for a technology firm. Riggs was one of just nine other climbers on the Everest Peace Project.

“We instantly clicked,” Clement recalled. “Since that trip, we’ve never been apart. After that expedition, I moved to Boulder where she lived.”

Clement’s wife has been an invaluable partner to him personally and professionally, sharing and supporting many of his high-altitude interests, including his newest endeavor – education through conservation.

A FATEFUL MEETING

Clement, who serves as founder and board president of the Pangje Foundation, first became interested in snow leopard conservation after reading a National Geographic article about Som Ale, regional director of a global conservation organization, who was using the cats to teach conservation to Nepalese children.

Clement was impressed that Ale was preserving an endangered species while also helping participants build stronger bonds with their communities, develop valuable research skills and connect with their culture.

He decided to write Ale to see if he could film Ale and the kids in action, with the possibility of using clips to approach networks and initiate a larger project. At first, Ale was not interested. However, months later, Clement received a message from Ale with dates for his next camp, asking if he wanted to film.

“We had never even spoken over the phone, and the dates were just weeks away,” Clement said. “But I knew that if I said no then, I would never have gotten the offer again.”

The two planned to meet in Jomsom, a remote town in Nepal. The journey did not go well for Clement. Monsoon season was underway when he landed in Kathmandu. There were no flights available to Jomsom, and time was running out to meet Ale. Clement hired a private vehicle that took him through washed-out roads to where he could connect with a bus to Jomsom. With 20 miles to go, the bus broke down. Clement hired a porter and finished the journey on foot. By the time he arrived in Jomsom, he was already a day late.

When he finally got in touch with Ale, he discovered that the scientist had been delayed several days, facing similar challenges from the weather.

When Ale finally arrived a few days later, Clement found an instant rapport with him, calling the researcher and humanitarian “one of the brightest and most inspirational people he has ever met.”

The rain never stopped during the camp. For several days, Clement filmed Ale and Nepalese children setting up trail cameras, counting prey species and collecting vegetation samples. The children’s cotton clothes and ragged tents did little to keep them from the elements, but the whole time Clement watched as they laughed, had fun, and most importantly, learned.

“To see the simplicity of Ale’s program and what it could do blew me away,” Clement said. “These kids were poor, under educated and didn’t have prospects for a future outside their village. But they were finding inspiration in the middle of the mountains through snow leopards.”

As soon as the camp concluded, Clement called his wife and told her that this was what he wanted to do the rest of his life.

THE SNOW LEOPARD AS KEY

Snow leopards are an integral part of Nepal’s ecosystem and culture. According to the World Wildlife Foundation, there are between 4,510 and 7,350 living snow leopards, making it an endangered species. An estimated 350–500 snow leopards, or approximately 10 percent of the world’s snow leopard population, live in Nepal.

Despite being an apex predator, the animals are constantly threatened by loss of habitat, climate change, poaching and retaliatory killings by livestock farmers. However, Ale and Clement hope that the Pangje Foundation and its programs will create a culture of stewardship in the next generation of Nepalese children, helping to preserve snow leopards, while also offering opportunities for education.

“Through the vehicle of snow leopards, you are actually helping the people,” Clement said. “You are helping the environment, but you’re also helping the people gain purpose, education, inspiration and a sense of global citizenship.”

So far, the cornerstone of the Pangje Foundation is the STEWARDS program, which continues Ale’s hands-on work with snow leopards and local children. The program is open to students 12-14 years old and incorporates a year of conservation studies. It culminates in a six-day camp during which the students identify snow leopards through camera traps, analyze prey species density, collect DNA samples and study area vegetation.

By the end of the year, program participants not only have a better understanding of the importance of the snow leopard and how they can help preserve its numbers, but also how wildlife diversity and the surrounding environment are something they can take personal, community and national pride in.

“The community is very enthusiastic about the program,” Clement said. “Kids come back and get their siblings excited about it. Parents and grandparents are excited their kids have this opportunity and in turn are excited to share their own knowledge of snow leopards. Everyone realizes that they are preserving a part of their future.”

While Clement originally founded the Pangje Foundation as a way to be able to collect donations to support the program, he, too, is seeing ways to enhance and expand the work. He would like to make livestream video and film a component of the experience. His hope is that by letting students in Nepal, the United States and other nations interact with one another, children throughout the world will build a sense of global citizenship and shared responsibility for the world’s ecosystem and resources. Clement also sees the value in using a key animal to teach stewardship, along with skills in research, science and conservation to other communities.

“It would be wonderful if our model for animal conservation creates a standard for ecological stewardship,” Clement said. “Conservation is important everywhere. It can have a global impact, and that is really important.”

THE DEPAUW CONNECTION

Clement discovered the confidence to create his path as a mountaineer and filmmaker through the relationships he formed while at DePauw. He encourages current students to “take everything you’ve learned from DePauw in the traditional sense, think outside the box and apply it to something you’re passionate about.”

Clement also found support for Pangje through relationships forged at DePauw. Dr. Joseph M. Wilferth ’93, along with fraternity brothers Ryan M. Jamboretz ’96, Brian M. Topper ’96 and Peter C. Weber ’93, serve on the advisory council for Pangje. Molly Terrill Spowal ’96 is a member of the board of directors. Clement continues to rely on the expertise of these DePauw alumni as he works to build Pangje into a thriving organization.

“DePauw created a unique environment where I met some of the best friends I would make,” Clement said. “They have also been successful in their own journeys through life. Their experience, perspectives, and ideas all are valuable in creating and growing this unique organization.”

Moving forward, Clement is approaching his work with Nepal communities and snow leopards in the same way he would a climb, with careful preparation, an eye on what awaits and an appreciation for every step of the journey.

“It all seems to make sense – it’s where I should be,” Clement said. “In many ways, I feel I’ve come full circle. I grew up loving wildlife and nature. It comes back to the farm. I took a roundabout way, but the connector was falling in love with the communities. That brought me back to my love of wildlife.”

Source: depauw.edu

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Presentation of Liberty Films
Producer / Director: Ram Ghale
Production Designer: Ms. Joy Traxler
Music: Kanta dAb dAb
Post – Production: Audio Vidual Endless Solution
Camaraman: Shankar Maharjan
Production Assistant: Bishal Dura
Photographers
Time Lapse, Earthquake & Seleted Images
Mr. Nabil Baral

” Miracle Baby” – Anmol Thapa
Dinesh Bikram Shah – Annapurna Post
Tomoko Ueno
ECS Media

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Award winning film-maker Min Bahadur Bham’s Kalo Pothi (The Black Hen) is one of the seven titles competing in the International Film Critics’ Week of the 72nd Venice Film Festival. With this Kalo Pothi has become the first Nepali feature film to participate in the prestigious film festival to be held in Italy from September 2 to 12, a press meet held at Nepal Tourism Board on August 2 informed.
“It is a big step for Nepali film industry,” Tsering Rhitar Sherpa, one of the producers of the film expressed about the movie’s selection at the film fest. “And I am excited and lucky to be a part of this project — though it was not easy to make the movie, its success has proved that you always get the fruit of hard work.”

The Critics’ Week line up has 10 debut works from different parts of the globe — seven works competing in section, and Kalo Pothi is one of them. The other countries to make it to this section include Australia, UK, Italy, Portugal, China, Turkey, and Singapore.

KALO POTHI (The Black Hen) Pitch from Anna Katchko on Vimeo.

The director Min Bahadur Bahm from Kathmandu, Nepal is pitching KALO POTHI (The Black Hen)

Bham’s directorial debut is basically a story of two young close friends — Prakash and Kiran — with the decade-long civil war of Nepal in the backdrop. In the midst of the war, a ceasefire is announced and the two friends also start feeling the change. Though divided by caste and social creed, the duo remain inseparable and start raising a hen — with hopes to save money by selling its eggs. But the hen goes missing. To find the missing hen, they embark their journey relentlessly, completely unaware of the tyranny brought by broken ceasefire where they witness various unimaginable events.

But when will the film be released in Nepal? “Sometime in Mangsir or Falgun, the date has not been finalised yet but will be released within this year,” informed Bham adding, “After Venice, it will be released in 34 different countries around the world.”

Shot in Mugu district of Nepal, the film is a co-production of Nepal, Switzerland, Germany, and France. The film’s screenplay is by Bham and Abinash Bikram Shah. Made in a budget of Rs 30,000,000, the movie stars Khadka Raj Nepali, Sukra Raj Rokaya, Jit Bahadur Malla, Hansha Khadka, Benisha Hamal, Nanda Prashad Khatri, Bipin Karki, and Pravin Khatiwada.

Credit: The Himalayan Times

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LEADING adventure filmmaker Michael Dillon was 11 when he made his film debut. He “shot” The History of the Earth on a Meccano set camera, wound through with a strip of paper illustrated with his hand-drawn frames.

“I charged my parents, sister and dog a penny each to watch it,” he says. And though the Oscar went to another filmmaker that year, Dillon has picked up scores of local and international awards since.

When did you get your first real camera?

MD: In my early 20s I bought one of the cameras that had been used on Skippy the Bush Kangarooand hopped on a plane to Nepal to film one of the first commercial treks there. My big break came when the BBC bought the film.

You were involved in the first successful climb of Everest by Australians and the first from sea level. How did that come about?

MD: I filmed Australia’s first ascent of Everest in 1984 and noticed that one of the summiteers, Tim Macartney-Snape still had energy to spare on the summit. So I challenged him to attempt the ultimate climb, a full ascent of Everest, right from where it’s measured — sea level. He took up my challenge and this year is the 25th anniversary of Tim’s extraordinary, never since repeated, sea to summit ascent of Everest.

What moment of your travels will stay with you always?

MD: Seeing Everest for the first time, back in 1969. How surprised I would have been back then to know how much time I would eventually spend on its slopes, and how much time I would be spending in the company of the first man to set foot on its summit, Sir Edmund Hillary.

What is your connection to Hillary?

MD: In 1977 I got the job of filming his journey along the entire length of India’s River Ganges. We got on well and the film sold well so I ended up filming five other documentaries with him, right up until 1999, when I filmed him, 80 years old, still struggling up steep Himalayan slopes, doing work for the Sherpas. He was a humble man, with a great sense of humour, and was like a father figure to me. To have spent over two years in his company, on expeditions and while he was actively building schools for the Sherpas, has been the greatest privilege of my life.

How has the Everest region changed since then?

MD: The region hasn’t changed too much. There were no hotels and lodges back then. There are plenty now, but they blend in architecturally. It’s hard for anything man-made to overwhelm that extraordinary landscape.

Best place you have ever stayed?

MD: The Lake Palace Hotel in Udaipur, India. It was nice being a maharajah for a day.

What destinations are on your wish list to capture on film?

MD: I haven’t been to Bhutan yet. I am hoping to film the work the Australian Himalayan Foundation is doing there.

What has travel taught you?

MD: Happiness is more closely linked to exposure to nature than to money.

Michael Dillon is leading an 18-day Australian Himalayan Foundation Everest Base Camp Trek in October.

Source: heraldsun.com.au

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With more and more big budget films relying heavily on CG, studios have been taking care to release behind-the-scenes featurettes and interviews promoting real locations and sets. A recent promo for Mission: Impossible – Rogue Nation focused on Tom Cruise performing his own dangerous stunts, while details on Alejandro Gonzalez Iñárritu’s The Revenant reveal a film that was shot as naturally and realistically (and excruciating for some) as possible. In a similar vein, a new promo for Everest highlights the intense conditions endured by the cast and crew on set.

The use of real locations and sets, particularly those with severe conditions, has become something of a badge of honor for filmmakers, which is certainly awesome in light of the overabundance of CGI in mainstream filmmaking. With that in mind, Universal and the cast and crew of Everest show off the extreme conditions they endured while filming on location in the snowy, dangerous mountains of Nepal.

Baltasar Kormakur (2 Guns) directed the film from a screenplay by Mark Medoff (Children of a Lesser God) and Simon Beaufoy (Slumdog Millionaire). The film tells the harrowing true story of two groups of climbers embarking on a dangerous expedition up Mount Everest.

The excellent ensemble cast includes Jake Gyllenhaal, Jason Clarke, Josh Brolin, John Hawkes, Robin Wright and Keira Knightley. Everest hits theaters and IMAX on September 18.

Sourece: screencrush.com

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